Frédérique Morrel The French artist Frédérique Morrel was horrified to discover that when her grandmother died, all of her handicrafts were thrown away. Since then, she has been pursuing the idea of bringing her grandmother’s works back to life in order to revive the passion that was inherent in them. In the process, she has developed a completely new artistic concept that “ decycles ” unnoticed and unvalued pop artifacts, thus helping them make the transition to a new life cycle. ** Thankfully, no animals were harmed in the making of Frédérique Morrel’s art. The horns and fur are real; the rest is a mix of taxidermy molds and vintage needlework. While amusing and perhaps a bit shocking, the trophies that adorn the Seventh Floor are “tame” compared to some of Frédérique’s other work which include life size horses, deer, wild boar and even humans (which they call “ ghosts ”.) If the artists’ goal is to “re-enchant” our world, then
Artist Robin Frohardt, photo: Maria Baranova-Suzuki, courtesy of Time Square Arts.
This March, thousands of tourists milling through the neon-lit chaos that is Times Square will encounter something a little off in between the frenetic advertisements and fast-fashion stores.
At first glance, what they find might look like a full-size,
fully-stocked grocery store. In and of itself, this isn’t unusual for a
city of around 8.6 million people, but this store is different; every
single product—from the potato chips to the knock-off cans of Four Loko
energy drink—is made from upcycled, single-use plastic.
What’s going on here? It’s The Plastic Bag Store, an art project by Brooklyn-based Robin Frohardt. Consider it an immersive installation with many (polymer) layers.
The concept has earned Frohardt both a Guggenheim Fellowship and a
Creative Capital Award. The store originated at the University of North
Carolina, and is making its New York City debut with Times Square Arts
on March 18. At night, the site-specific work will transform into the
set for a three-act puppet show directed by Frohardt with original music
by Freddi Price.
Products from The Plastic Bag Store. Courtesy of the artist.
It’s no coincidence that the project opens just as New York’s
plastic-bag ban goes into effect on March 1, says the artist, who spoke
to Artnet News ahead of the opening. The idea struck her years ago, she
says, when she was walking through the aisles of a grocery store and
realized the sort of mise en abyme situation at hand:
“Everything was already wrapped in plastic, shrink-wrapped, and then
placed into a double plastic bag at checkout. I was struck by the
absurdity of that,” she says. And so, with The Plastic Bag Store, “I turned [the absurdity] up to eleven.”
We live in an increasingly plastic world, so it’s easy to forget how
detrimental this stuff can be. It takes more than 500 years for the
average plastic bag to degrade in a landfill. Plastic wrecks havoc on
sea turtles and marine life; in some instances, as in the Great Pacific
garbage patch, it helps spawn monstrous floating masses that are
significantly larger than Texas.
Still from Robin Frohardt’s The Pigeoning. Courtesy of the artist.
Forhardt is no stranger to the admittedly quirky world of puppetry; her 2013 play The Pigeoning
was a critical darling that, true to the artist’s style, addressed
themes of public safety and personal identity. Herlatest puppet show,
set to take place in The Plastic Bag Store, imagines what it
would be like for some future creatures to excavate the pounds of
plastic left by contemporary humans. How might they misinterpret the
significance of such an abundance? Most plastic bags are used for
approximately 12 minutes, but based on their prevalence, some future
observer might think they were precious objects. “We all romanticize the
past,” Frohardt says. “It’s a way to be a part of the lineage of
history.”
“I’m not trying to make people feel bad” with the play, she adds.
“It’s not about shaming people, but if the project makes you take a
second look around, and notice the degree to which we’re using this
material, that’s huge.”
The previous iteration of Robin Frohardt’s The Plastic Bag Store. Courtesy of the artist.
To create the products in the store, Frohardt became “something of a
plastic bag connoisseur,” she says. The bags she used were collected
from friends and neighbors, all of whom were happy to get rid of the
environmentally unfriendly weight.
In a statement, the artist said “there is no ‘away’ when we throw
something out,” and that’s at the heart of the tragicomic play that
unfolds at night. Like magic, the “store shelves” become stage platforms
for the characters. Hidden doors are opened, and other visual trickery
unfolds as the store transforms into an immersive theater set, with the
products playing starring roles in the show.
Puppetry might not seem like an intuitive way to educate people about
plastic waste and its effect on the environment, but for Frohardt, it
makes perfect sense. “There’s something universal about puppetry,” she
says. “It’s entertaining for everybody, and it’s a very forgiving medium
that really helps you connect with the story.”
The Plastic Bag Store was on view at 20 Times Square, March 18–April 12, 2020. Hours are Tuesday through Sunday, 11 a.m.–6 p.m., with nightly performances at 7 p.m. & 9 p.m. Admission is free, but registration for the show is required due to limited seating.
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